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J.S. Bach
48. Liebster Herr Jesu, wo bleibst du so lange. Schemelli, J.S. Bach, BWV 484.
SDG
1:19 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
 
15. Allein zu dir, Herr Jesu Christ, J.S. Bach, BWV 261, Choral Gesänge, Breitkopf.
Gertim
1:25 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 20 0 7 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 20 0 7 5 100%
 
16. Allein zu dir, Herr Jesu Christ. BWV 33.6.
SDG
1:14 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
Contrabass Bass 19 0 5 4 52%
Bass Bass 4 0 0 2 20%
Tenor Bass 4 0 0 2 16%
 
J.S. Bach: Christ lag in Todesbanden, BWV 4 - Sinfonia
Samuel Ricke
1:28 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 17 20 6 5 96%
Bass 19 0 5 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 17 20 6 5 96%
Bass 19 0 5 6 100%
Continuo. Bass 16 0 4 5 100%
Viola
I.		 11 0 2 4 100%
Viola
II.		 14 0 4 5 100%
Violino
I.		 Treble 16 0 4 7 100%
Violino
II.		 Treble 12 0 3 5 100%
Violone. Bass 16 0 4 5 100%
 
41. Christ lag in Todesbanden. BWV 4.8.
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
Contrabass Bass 15 0 5 5 50%
Soprano Treble 2 0 0 1 11%
 
39. Christ lag in Todesbanden. BWV 278.
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 5 6 100%
Tenor/Bass Bass 22 0 6 6 100%
Contrabass Bass 15 0 5 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 5 6 100%
Tenor/Bass Bass 22 0 6 6 100%
Contrabass Bass 15 0 5 6 50%
 
40. Christ lag in Todesbanden. BWV 158.4
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 19 0 5 4 100%
Tenor/Bass Bass 20 0 6 7 100%
Contrabass Bass 13 0 4 7 51%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 19 0 5 4 100%
Tenor/Bass Bass 20 0 6 7 100%
Contrabass Bass 13 0 4 7 51%
 
210. Ihr Gestirn', ihr hohlen Lüfte. BWV 366.
SDG
1:01 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 22 0 5 7 100%
Contrabass Bass 15 0 2 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 22 0 5 7 100%
Contrabass Bass 15 0 2 4 50%
 
97. Es woll' uns Gott genädig sein (Es danke, Gott, und lobe dich das Volk in guten Thaten). BWV 69/6.
SDG
1:10 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 10 0 3 4 100%
Soprano/Alto Treble 15 0 6 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 10 0 3 4 100%
Soprano/Alto Treble 15 0 6 5 100%
Tenor Treble 11 0 5 4 100%
Tenor/Bass Bass 21 0 10 4 100%
B♭
Trumpet		 Treble 12 11 4 8 71%
Timpani Bass 2 0 0 5 71%
Alto Treble 11 0 4 5 50%
Bass Bass 13 0 6 4 50%
Contrabass Bass 15 0 6 4 50%
Violoncello Bass 15 0 6 4 50%
 
232. Lobet den Herren, denn er ist sehr freundlich. BWV 374.
SDG
1:06 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 7 100%
Tenor/Bass Bass 22 0 5 7 100%
Contrabass Bass 15 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 7 100%
Tenor/Bass Bass 22 0 5 7 100%
Contrabass Bass 15 0 3 4 50%